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Thursday April 9, 2009
Encounters in Richmond
I am just slipping in a retrospective blog entry which was by-passed due to my hurried departure to France (it's always hurried).
The day before we left I had theatre tickets for "Brief Encounter" and Rob came with me as George was hard-pressed to finish up at work in time for our holiday. We had moderate expectations, but how wrong we were - it was brilliant. And I am now so very particularly glad Rob came with me to see this.
It really was a "theatrical extravaganza". It involved a full plate of multi-media offerings that really worked, including the actors stepping into back-projected films, singing and dancing, and many delightful tricks, with charming references to the famous film. It was original and fresh - and in Rob's words "restores your faith in provincial theatre" - if that's not too patronising - it's not meant to be.
The production was witty, entertaining and quite jolly, as it actually followed the interaction of 3 couples, not just the main protagonists. The projections were used brilliantly - designed by Jon Driscoll* with Gemma Carrington. They created such drama that the scene where Laura returns from the brink of flinging herself into the path of "the express" actually moved me to tears.
* Unbeknownst to me, Jon Driscoll is one of Rob's ex-students who worked on an amusingly short version of Brief Encounter for one of his peer's "Sound to Light" exercises while at college.
The production opened originally in the Haymarket and is now on tour - see their website, and also a much better review than I can give here.
Tempest revisited
If that weren't enough - I also need to say that, I failed to give a proper mention to the last production at Richmond that I went to the week before.
It was the Tempest, and it was more slight nostalgia that caused Rob to be my companion again on this occasion. Once again, our expectations were moderately low - and we were almost late (though not so in the end) as the curtain went up 30 minutes earlier than usual for Richmond. Yet again, how fantastic was this production and how lucky for Rob to get to see it, given his world music and theatrical interests. It was an "African" version including dance, live music, puppetry and lot of "theatre". It starred Anthony Sher as Prospero, and here is Ariel (Atandwa Kani) trapped by the witch's magic, giving some small idea of the power of the puppetry and spectacle.
Again - see the review.
In my defence, all these low expectations are based on the previous few touring plays we went to at Richmond, which were, in my estimation, adequate but not extraordinary. [And the Hound of the Baskervilles, which was downright poor!] But when you find yourself seeing something so terrific, it makes up for the rest - and the pleasure is even more when it is so unexpected.
Posted by Christina at 11:22 PM. Category: Art and Culture
